He becomes a leitmotif of our conversation — she refers to him at least six times, always with warmth. Pacino looms large in the Mount Rushmore of co-stars who have played a leading role in Ms. The character of Annie Hall — complete with kooky mannerisms and self-deprecating sense of humour — was based on Keaton herself. Keaton doubtfully, about an updating of the brilliant and bittersweet Oscar-winning romance. Her co-star is Robert De Niro. We talk often on the phone. He was just really complex and really brilliant and really dazzling and there you are, [me]: I was sort of afraid of my dad but I admired him and I loved him. I really liked him. That has always stayed in my mind. Even now, discussing Mr.
Madonna was one of her clients, buying a Beverly Hills home from Keaton in As the longtime muse of Woody Allen, partners on-screen and off with Al Pacino and Warren Beatty, and great good friends with Jack Nicholson, that interplay of intimacy, fictional and real, is always a question with Ms. More and more I think of life — as I look at that ocean out there — as a complete mystery. Keaton continued with a swirl. So at the age of 50 she adopted a baby girl, Dexter now 17 , and a few years later a boy, Duke now But I did really try my best to get as much attention as I could to make up for it. What would he do? The wonder of it. That was a once-in-a-lifetime situation. I remember there was a period when I was with him and he read all of Dostoevsky and then all of Tolstoy, he was learning French and playing the clarinet every day. Not in a million years unless I were a different woman. It was easy for me to be a daughter. Keaton, 69, sports a black leather belt wide enough to gird a WWE wrestler around her slender waist, a black handkerchief with white polka dots peaking out from her breast pocket and short square nails painted a matching black and white herringbone. Each man had a different decade. Her co-star is Robert De Niro. Keaton found herself in situations where both partners in the match were emotionally needy people who wanted to be loved by large crowds of people. He was just really complex and really brilliant and really dazzling and there you are, [me]: You think about that kind of ambition to take on such a massive project that is so hard. From now on, I want to look for reality. It was too much. Those poor people inside. T he only problem is trying to keep her on track as she lunges down conversational side alleys and stream-of-consciousness musings — like this random piece of information when we are discussing marriage: She says that much as she adores them, the situation is far from ideal. The jacket is cinched in with a broad black belt and underneath is a white turtleneck with sleeves that loop over her thumbs. He becomes a leitmotif of our conversation — she refers to him at least six times, always with warmth.
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