Probably the same as the pots and transformers that we just dug out of the boxes. I just discovered that the silverface Bandmaster speaker cabinet the big, tall one without tilt-back legs is ported see photo. On 3 digit date codes, you have to "guess" the decade of the pot or speaker. With all this information in mind, can you identify the following manufacturer and date of these source-date codes? I think the better, older hands did 35 a day. After that the foreman would add the tubes, turn 'em on and set the bias. Some caution is advised since it is likely that not all chassis were used due to defects or that duplicate serial numbers may have been stamped. Like I said, there were 5 or 6 of us at the benches every day. Of course I tended to hurry more when they were there, and I would fumble more, too. Unlike serial numbers used for most Fender guitars and basses, we know that serial number sequences are unique to a particular model or a family of models of amplifiers. Remember, this model shares a chassis with the narrow panel tweed Pro and Super. I will present my hypothesis here and let Greg present his side of the story in a future article. On 4 digits date codes, the 1st and 2nd digits are the last two digits of the year. Less Common Source Codes. Also it's worth mentioning: For instance, the serial numbers for tweed Bandmaster 3x10 run from S to S
They actually held clipboards and stopwatches to measure how long it took for me to attach various parts. In 3 digit dates code, the 1st digit is the last digit of the year. I promise the tables will still be there after you finish reading. The Australian Fender Distributor then installed V - V stepdown transformers in the bottom of the cabinets. Another interesting tidbit is that a lot of Fenders were imported into Australia in the late s and early s that were stock volt domestic US units. The chassis weren't used chronologically. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. But it wasn't always 'cool guitar' amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs. For speakers this code can be 5, 6, 7 or 8 digits long, and it's ink-stamped or paint-stamped on the "bell housing" of the speaker. Some caution is advised since it is likely that not all chassis were used due to defects or that duplicate serial numbers may have been stamped. After that the foreman would add the tubes, turn 'em on and set the bias. Again, these are rare and exceptions to the norm. The brown Deluxe is less common at about 4, units made serial numbers run from D to D Anyway, you get the idea. In either case, the remaining 2 digits are the week of manufacture 01 to Some serial numbers have a letter prefix plus 4-digits instead of the usual 5- or 6-digits. Jensen speaker, 1st week of In either case, the code works the same. With this in mind, remember if the last two digits of the source-date code are greater than 52, you're not looking at the source-date code! For example, the serial numbers for 5F6 and 5F6-A Bassman amps run from BM to BM therefore we can conclude that there were about 4, units made. Usually this isn't too difficult. Greg and I also disagree about determining production from serial numbers. If you can't, read the above information again! There is no way to separate out production for these models, but with enough data, we might be able to do some frequency distribution and such to determine a rough estimate. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. I will present my hypothesis here and let Greg present his side of the story in a future article. The boss came around and said what we'd be building.
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